The Fort, Peshawar
An unusual postcard in its deft juxtaposition of old and new, railway tracks and historic fort. The Bala Hisar Fort is Peshawar's largest landmark derives its name "Bala Hisar" from Persian, meaning elevated or high fort.
An unusual postcard in its deft juxtaposition of old and new, railway tracks and historic fort. The Bala Hisar Fort is Peshawar's largest landmark derives its name "Bala Hisar" from Persian, meaning elevated or high fort.
An unusual lithographic postcard, blind stamped across the entire back "Haji Yusuf Haji Mohammed Pictures, Post-cards and Cutlery Merchant. Grant Road Cross-Lane. Bombay, 7" that suggests this firm may have been the publisher. The exceptional series
[Original caption] A Car Festival. The huge triumphal car has upon it a representation of the deity in whose honour the festival is observed. The car is drawn around the temple precincts by the willing hands of devotees.
This postcard appeared in connection with the publication The Armies of India by Col. A.C. Lovett and Major C.F. MacMunn (1911). Lovett served as illustrator, A. & C.
The Rudra Mahalaya Temple at Siddhpur was conceived and constructed as a tribute to Mahadev, by the first Solanki king of Gujarat, Mulraj (942-996 ACE). Twenty years after ascending the throne, Mulraj was in a position to turn to more unworldly
Most big Madras studios and retailers had branches in Ooti, among them Wiele & Klein, publisher of this very early court-sized view, possibly the earliest of the hillstation.
An early postcard of Kashmir, likely from a Fred Bremner photograph as many other of the firm's postcards of this region were.
Parvati Temple is located on the Parvati hillock of Pune. The 17th century Parvati Temple was the private religious shrine of the former Peshwa dynasty.
[Original caption] The native tribes of India have, since the first occupation of the country by the British, been trained to act as soldiers to guard their own districts.
Kulri Bazaar, Mussoorie almost feels painterly in its alternating pattern light and soft dark fabrics. In the center, his back turned to us, but with no apparent import, is a British man wearing an infamous solar topee, the sartorial logo of the Raj.