The Fort, Peshawar
An unusual postcard in its deft juxtaposition of old and new, railway tracks and historic fort. The Bala Hisar Fort is Peshawar's largest landmark derives its name "Bala Hisar" from Persian, meaning elevated or high fort.
Collotype
View of Ootacamund
Most big Madras studios and retailers had branches in Ooti, among them Wiele & Klein, publisher of this very early court-sized view, possibly the earliest of the hillstation.
Vegetable Boat, Dhal Lake, Kashmir
An early postcard of Kashmir, likely from a Fred Bremner photograph as many other of the firm's postcards of this region were.
Parvati Temple, Poona
Parvati Temple is located on the Parvati hillock of Pune. The 17th century Parvati Temple was the private religious shrine of the former Peshwa dynasty.
Kulri Bazaar, Mussoorie
Kulri Bazaar, Mussoorie almost feels painterly in its alternating pattern light and soft dark fabrics. In the center, his back turned to us, but with no apparent import, is a British man wearing an infamous solar topee, the sartorial logo of the Raj.
Mahamakam Festival, Kumbakonum
One of those postcards with the densest concentration of human life per square centimeter on them.
Muhafiz Khan Mosque. Ahmedabad
Postmarked 1912, an example how a creative sender could use stamps to add their own historical touch to a a postcard.
Sheik Memon Street (Native Town), Bombay
B. Rigold and Bergmann were a London firm (69, Bishopsgate, London, E.C.), apparently established in 1876 that traded with India and China.
Calcutta
An early view of Kolkata by one of its first postcard publishers. The fine detail and texture of the collotype can be seen even in how the individual telephone wires are visible.
Moore Market, Madras
A daub of red anchors the eye in this fine composition. Moore Market was opened in 1900, and destroyed by a mysterious fire in 1985, after which the land was repurposed for the Chennai Suburban Railway station.
