The Harvest
One of those postcards which remind you what an exceptional artist M.V. Dhurandhar was. In the midst of a harvest, with giant sheaves of the crop as if pulled apart like curtains, stands a woman in red with sickle in hand.
One of those postcards which remind you what an exceptional artist M.V. Dhurandhar was. In the midst of a harvest, with giant sheaves of the crop as if pulled apart like curtains, stands a woman in red with sickle in hand.
[Verso Original handwritten caption] After an argument with the sails of a sampan. [end]
An unusual real photo postcard of the Fairey IIID, an early 1920s British seaplane that "was popular with aircrew but they were difficult to maintain and when
This postcard shows a nanny with a pram on the “Queen’s necklace” of Malabar beach in Bombay. The artist Dhurandhar and other fellow J.J.
This card is from a series of 6 postcards by the unknown painter E.E. probably self-published around 1910. It is of unusual size, and came in a nice envelope with the imprinted title Six Artistic Views of Kashmir. Many British residents had some
Lynne Withey writes in Grand Tours and Cooks Tours (London, 1998), about the growth of the Western tourist trade in the 1890s, that "apart from a few first-class establishments in major cities, most hotels were barely acceptable by Western standards.
A 1945 calendar postcard by the Anglo-Indian animator and cartoonist Merton Lacey featuring Allied troops in India fighting the Japanese in Indo-China during World War II.
The word "Pariah" owes its origin to the Pariah caste of the Hindu society of India.
Sandeman Memorial Hall in the background was built expressly to bring together Balochistan's various tribal leaders to negotiate and settle disputes between themselves and the British Indian government.
A postmarked version in India from August 16, 1905 of Dhobi Washerman and sent to Mr. u [sp?], 16 Mt. Ararat Rd., Richmond, Surrey [England]." The writing is hard to make out exactly, but it seems to say: "This is Mr. Dierius' Your card Dhobi.
Another evocative card by M.V. Dhurandhar injects personality into the roving washerman. In the background is an edifice of the "new" Bombay while in the foreground we see the age-old profession of washermen cleaning the resident's laundry.
See the