Victoria Driver
A lovely character sketch by the artist M.V. Dhurandhar of a carriage driver in turn of the century Bombay.
A lovely character sketch by the artist M.V. Dhurandhar of a carriage driver in turn of the century Bombay.
President, 17th Congress, Calcutta 1901
Celebrating one of the many Parsee businessmen who supported the Independence struggle and founded the Indian National Congress Party.
There are very few early postcards – besides a handful of missionary ones – of Assam, an area in northeastern India brought under British control in the first half of the 19th century following wars with the then Kingdom of Burma.
Technically an informational postcard, this sumptuous lithograph nonetheless expresses the confusion in Europe about Asia: the design elements around the view of the Kailash Temple in Ellora are Chinese, and the French text locates it a few hundred
A real photo postcard of Peshawar bazaar showing a minaret of Mahabat Khan mosque, built in the 17th century. This postcard was sent to a Mr.
An early real photo postcard where the deterioration of the chemicals on the margins contributes to the preciousness of the scene, said to be the view the imprisoned Mughal Emperor Shah Jehan enjoyed from Agra Fort of the tomb he had built for his
One of the more puzzling things in Raj postcard history is the lack of postcards from what is now Bangladesh; East Bengal and Dhaka in particular seem to have been far less covered by the new medium at the turn of the century than the rest of the
[Verso] In Commemoration of the Visit of the German Crown Prince to East Asia 1910-1911 [end]. A spectacular postcard published in honor of the German Crown Prince Ferdinand's visit to India.
[Original caption] In Commemoration of the Visit of the German Crown Prince to East Asia 1910-1911 [back]
The reverse of the spectacular postcard commemorating the visit of Crown Prince Ferdinand to India. Note the Kolkata postmark.
[Original] Zur
A portrait of the man who made the postcard revolution possible. While the original for this may have been a photograph of an actual postman, the broad strokes make it possible that a painted portrait was used as the source.