Saiyad Mobarik Ali, Moolvee (Learned Man)
One of siz postcards in Raphael Tuck & Sons first "Native Life in India" series, which featured the work of an artist with the initials G.E.M. who remains unidentified.
Divided back
A Belle of Northern India
[Original caption] A Belle of Northern India. The women of Delhi and district are, to Western eyes, rather more pleasing than those of many other parts of India.
Rice Fields, Ceylon
Traditional wet rice farming involves keeping the rice seeds and young plants submerged under water to keep weed infestation at bay until the young rice plants are well established.
Alauddin Gate, a Partial View, Delhi.
[Original caption] Built by Alaudin Khilji in 1310 A.D. [end]
In the early 14th century, Ala-ud-din Khilji carried out the extension work of the southern gateway of Quwaat-ul-Islam mosque.
Taj Mahal. Agra
One of the earliest, if not the earliest postcard to the Taj Mahal.
The highest gate in the Fort of Gwalior
[Original German] Das Oberste Thor Vom Fort Gwalior [end]
This image is from a painting by Josef Hoffmann, an Austrian painter and early postcard artist who traveled to India in the mid-1890s.
Kashmir Nautch Girl
A postcard that shows off the great detail achievable in the collotype printing process.
Coonoor
An unusual artist-signed postcard of All Saints Church in Coonoor, established in 1854. Very finely done, it is among the limited examples British amateur artist trying their hand at something often self-published on a postcard.
Pattawala (Office Peon)
This image by the Indian painter M.V. Dhurandhar celebrates the rise of a new type of worker in early Mumbai - the peon who worked for a business owner or manager and would ultimately gather some authority by controlling access to his boss.
Calcutta
Another F. Perlberg signed postcard. Murrays A Handbook for Travellers in India Burma and Ceylon (1938) writes of this view "On the W.[est] side of Dalhousie Square is the large domed building of the General Post Office, occupying part of the site of
