Sudder Bazaar, Karachi
This most interesting thing in this composite street scene is the way it brings the many forces of colonialism into view. In the distant background is Karachi's mammoth St. Patrick's Cathedral.
Divided back
Chunglagali (Murree Hills)
A richly mysterious image by the postcard poet of the Murree hills, Baljee. A whisper of a road peeks out from under the forest coverage on the right above his signature in the original albumen negative.
Head of Tamil Girl
The sitter's expression is among the more memorable antique postcard portraits.
A Camel with rider and gun. Jaipur
One of the more unusual forces in Rajputana during the Raj was the Bikaner Camel Corps which "had such camels also on which 'jujarbas' or small cannon were mounted" (Nandakiśora Pārīka, Jaipur that was: royal court and the seraglio, p.
The Taj, (From Across The River) Agra
[Original caption] The Taj from across the river. One must cross the river to see the beautiful view of the Imperial Mausoleum balanced by the Mosque and Hall of red sandstone which set it off.
Bombay. Apollo Bunder.
[Original caption] Apollo Bunder. Here are to be found very large and fine buildings, including the Government Docks and the Custom House and many other important Docks, etc. [end]
Sorting Jute
A moody postcard illustrating a manufacturing step in the jute export industry. Jute packaging materials were used around the world, particularly in gunny bags.
Group of Baland Khels
[Original caption] Baland Khels. This tribe inhabits the North-West frontier of India, close to the native state of Afghanistan, the boundary between their provinces and the Indian states being the River Kurram.
Rangoon Jail - Prisoners carrying out their breakfast
D. A. Ahuja published a number of postcards of Rangoon jail, including the scene just before this one, while they are waiting for their breakfasts. According to one account of the Burmese prison system, "The annual reports on the prison
Lahore Chief Court
[Original caption] Chief Court, Lahore. This fine building is in the late Pathan style of the 14th century.
