[Original caption] Seringapatam. A fortress in Mysore, India. Here Tippoo Sultan was besieged by the ENglish in May, 1799. On the 4th of May a breach was made in the walls and in seven minutes the British flag floated from the summit.
The growth of a city like Bombay was largely dependent on the work of laborers who carried bricks and building materials on wicker baskets on construction sites, much like they do today, which must be part of the reason why they were such common
The original black and white postcard predating the color version.
[Original caption] A Chat with a Friend. This picture gives good opportunity to study the Indian dress.
A humourous postcard showing a sleeping father, who is supposed to be pulling the punkah [fan] string to cool the off-framed European, but instead has delegated the task to his son. The punkahwallah not doing his duty was a common postcard theme.
This early postcard was published by the "Bazaar for the Suffering Child," a missionary group in Germany for domestic consumption and draws our attention to two features of early European postcards.
An early lithographic card by the elusive Bombay lithographer and publisher W. Cooper. Like some of this other cards, it seems to have originated in a photograph also published as a postcard by The Phototype Co.
The photographic original of one-half of the lithograph A Fair Exchange by W. Cooper.
Like the backs of many Dhurandhar cards, this one bears the blind stamp and price ["A.H.W. Rs. 0-1-0," e.g. 1 anna] of A.H. Wheeler & Co., at 47 Hornby Road, the bookstall chain and contractor for advertising on Indian Railways.
This may be the very cottage where Bremner had an indelible experience. He writes in his autobiography “I never spent such a night. The melting snow was trickling on to the bed through apertures in the ceiling.
