Combridge & Co. were among the earliest publishers of India postcards, a number of which they printed as cyanotypes, a blueish monochrome print popular around the turn of the century. This building still exists, but is now the Madras Club.
An unusual postcard in its deft juxtaposition of old and new, railway tracks and historic fort. The Bala Hisar Fort is Peshawar's largest landmark derives its name "Bala Hisar" from Persian, meaning elevated or high fort.
Most big Madras studios and retailers had branches in Ooti, among them Wiele & Klein, publisher of this very early court-sized view, possibly the earliest of the hillstation.
An early postcard of Kashmir, likely from a Fred Bremner photograph as many other of the firm's postcards of this region were.
Parvati Temple is located on the Parvati hillock of Pune. The 17th century Parvati Temple was the private religious shrine of the former Peshwa dynasty.
Kulri Bazaar, Mussoorie almost feels painterly in its alternating pattern light and soft dark fabrics. In the center, his back turned to us, but with no apparent import, is a British man wearing an infamous solar topee, the sartorial logo of the Raj.
One of those postcards with the densest concentration of human life per square centimeter on them.
Postmarked 1912, an example how a creative sender could use stamps to add their own historical touch to a a postcard.
B. Rigold and Bergmann were a London firm (69, Bishopsgate, London, E.C.), apparently established in 1876 that traded with India and China.
An early view of Kolkata by one of its first postcard publishers. The fine detail and texture of the collotype can be seen even in how the individual telephone wires are visible.
