A nicely framed view of the 1911 Durbar, with an Impressionist's blend of hats and heads, the first and only which a British monarch George V attended and was honored under an Oriental pavilion. It was the high noon of postcards too.
Moorli Dhur & Sons
There are few intimations of relations between Europeans and Indians on postcards – or other media for that matter – making this postcard a startling exception. “Stay quiet about it,” says the sweeper in Hindu-Urdu. “Sure,” replies the soldier.
Moorli Dhur & Sons, at Ambala, a railway junction 130 miles away from Lahore, dominated the Punjab postcard market by 1910. Perhaps because of its distribution clout, it published a humorous series on different aspects of life for colonial foot
One of Moorli Dhur's series on Indian domestic staff shows a cook cutting a bird with a knife between his toes while smoking a hookah. Many publishers – Johnston & Hoffman in Kolkata, Higginbothams in Chennai, Thacker, Spink & Co.
Perhaps no image was more common in 19th century British albums from India than the Memorial Well at Cawnpore [Kanpur]. It was a tribute to the women and children apparently executed in unclear circumstances by rebellious Indian soldiers under the
Multan, although a large city and railway junction in southern Punjab, does not appear frequently on postcards.
Moorli Dhur & Sons dominated postcard publishing in the Punjab after the turn of the century, with numerous series and views of cities all over northern India.