Compare this to an earlier color postcard of the Albert Museum by the same firm from the same image, made when color printing of postcards from photographs was much less sophisticated, at least on a level where costs were low enough for mass consumer
A very early postcard of Jaipur, made from an albumen print, title and photographer visible in white where it was inscribed onto the albumen negative. The color was applied through hand-tinting. Compare to a colorized postcard of the same image made
The successful colorization of what was originally a black and white photograph is exemplary.
Note the liquor bottle, likely whisky and soda on the tray in the khitmatgar's hands.
This woman, in a similar pose on a postcard published by and from a photograph by Fred Bremner, was called "A Punditani (Hindu) Kashmir." Inasmuch as titles were fluid, the same image, above, was called "A Daughter of Noah Dal Lake Kashmir" in a
A remarkable portrait, probably taken by the photographer Fred Bremner many of whose images of Kashmir were published by Clifton and Co., one of the earliest all-India postcard publishers.
A beautiful lithograph postcard featuring one of the most popular early postcard subject, the Parsee Tower of Silence on Malabar Hill in Bombay, where bodies are placed to be eaten by vultures waiting on the rim of the structure.
An early undivided back postcard by The Phototype Company in Bombay, probably from its first pan-India series characterized by very high printing quality and red titles.
[Original caption] Jemadar Mir Dast 5th Wilde's Rifles. Won the V.C. for great bravery in the fighting around Ypres. Issued by Order of Her Highness Nandkunverba, C.I. Maharani of Bhavnagar, for the benefit of the War Fund. [end]
From a series of
The Taj Mahal Palace Hotel in Bombay, which opened in 1903, was very popular with visitors and on postcards.
