Benjamin B. Cohen, in his highly informative study of Raj clubs, In the club Associational Life in colonial South Asia writes: "Locating the center of the [colonial] club's sphere at Government House de-centered the club and reflects the strong link
[Original caption, verso] Haunsa Damayanti Sanvada:–The bird Haunsa gave and extols to Damayanti all about Nala, when she is in a garden. [end]
[Original caption] An inhabitant of North-West India unsurpassed as a hill fighter. Although Mahomedans, the Pathans rebelled against the Mogul Emperors round about the sixteenth century and were in consequence forced to keep to the hills. [end]
One of the classic Bombay images from the period, this "village scene" with unruly palm trees was reproduced in many formats by Clifton & Co. though it is this collotype version that is the most captivating.
Sent from Perim (an island near Yemen) to
An early view of Bombay by one of its preeminent early postcard publishers. It shows the Rajabai Tower, completed in 1878 on the grounds of the University of Mumbai.
One of the most famous temples in Mumbai, Dwarkadhish Temple, built in 1875, was often referred to as the Monkey Temple because of the figures of monkeys eating bananas on the front.
Among the first postcards printed in India, from a lithograph by The Ravi Varma Press' chief lithographer, Paul Gerhardt.
One of those postcards that can be read, perhaps, as satirical or documentary.
An early lithographic postcard, and among the rarer ones, by the artist Paul Gerhardt. It was printed in Karli, outside Bombay, at the Ravi Varma Printing Press where Gerhardt worked as a lithographer.
Compare this to an earlier color postcard of the Albert Museum by the same firm from the same image, made when color printing of postcards from photographs was much less sophisticated, at least on a level where costs were low enough for mass consumer
