Taj Mahal. Agra
One of the earliest, if not the earliest postcard to the Taj Mahal.
One of the earliest, if not the earliest postcard to the Taj Mahal.
[Original German] Das Oberste Thor Vom Fort Gwalior [end]
This image is from a painting by Josef Hoffmann, an Austrian painter and early postcard artist who traveled to India in the mid-1890s.
One of the earliest roughly dateable postcards of India, made by a German firm that soon seems to have vanished from history. It probably dates to 1896, when a similar card of Haiti was made (see Haiti's First Postcard by Peter. C. Jeannopoulus in
The GPO in Bombay was already the largest post office in India when this card was produced in 1899, with tens of millions of postcards passing through in a city of less than a million.
[Original] Victoria Brunnen
Compagnie Comet seems to have been the earliest publisher of a series of cards on India, their name appearing as "Verlag [Firm] "Compagnie Comet", Fr. Th.
A very early India-printed postcard signed by the chief lithographer at the Ravi Varma Press, Paul Gerhardt. Gerhardt was probably aware of Ravi Varma's prize-winning painting that year, Water Bearer, and we know from Raja Varma's diaries - the great
[Original German] Maedchen Schule in Jeypore [end]
This image was made by the Austrian landscape painter Josef Hoffman who toured India and Persia in the 1890s.
Postmarked 22 March 1905 in Bombay, and April 18 1905 in Salt Lake City, Utah. Addressed to “H. H. Rogers Esq. Konupa Makme-Kopunuka, Odessa South Russia-in-Europe." [Recto] “Magnificent station but far too big for requirements.” Today it is the
An extremely rare early postcard by an little-known lithographer, W. Cooper, in Bombay. It looks to crude to have been made at The Ravi Varma Press. Cooper seemed to prefer risque images.
A fourth card in Rossler’s 1897 lithographic series of Calcutta features a fakir, the male counterpoint to the nautch dancer. Above the fakir is his spiritual guide along lifelong wanderings, Lord Shiva.