One of the earliest postcards of India, Calcutta, published by W. Rossler, a German or Austrian photographer in the city in 1897. Lithograph, Court sized, Printed in Austria. Undivided back.
A very early Higginbotham's postcard, with the back blind stamped "Post Card" instead of printed (or electrotyped). The image is also very small, not merely to leave room for writing but because that is where most of the expense was, in the ink and
Handwritten on the back is this message: "Bombay, March 3, 1903: “Dear little General. This is a picture of the native portion of this city – we do not dare go in it because there are so many cases of plague.
In India, elephants are revered as symbols of wisdom and good luck. Once it was common to find elephants on the roads of Mumbai.
A very early postcard printed in India and signed by the Ravi Varma Press chief lithographer and also painter, Paul Gerhardt. The title "Bakshis[h] Saheb" refers to the call for alms made by beggars.
Possibly the earliest postcard of Hyderabad, by the Austrian artist Josef Hoffman who painted this scene during a visit to India in 1893-94 when he was in his sixties.
[Original] Souvenir East Indies Pagode des Ganges [end]
Among the earliest postcard series of India, with postally used samples dating back to 1897, according to Ratnesh Mathur, co-author of Picturesque India. Interestingly this is a crude halftone
This unusual, sepia-ish lithographic postcard is probably by Paul Gerhardt at the Ravi Varma Press even though it is not signed by him with the Press imprint.
Nautch dancers inspired stories like Hassan Shah’s The Nautch Girl, “the first known modern Indian novel” in the 1790s, as well as the first Urdu novel, the story of the Lucknow courtesan Umrao Jaan Ada in 1899.
A version of this card was sent by