A Morning Obligato
A very early postcard printed in India (postmarked Dec. 1902 in one instance) by the lithographer W. Cooper. The chance discovery of another photographic postcard shows how a scene like this was composed.
Women
Washing Day Dhobi Washer Woman
A humorous colonial postcard comparing clothes washing in England and India, part of a larger artist-signed series by the large Kolkata retailer.
[Zenana Carriage]
![[Zenana Carriage]](https://www.paperjewels.org/sites/default/files/styles/square_thumbnail/public/slides/carriage_0.jpg?itok=qY5XcnEW "[Zenana Carriage]")
A hand-painted postcard; given that cards retailed for one anna around this time, maybe two, after materials, one can only imagine how little the bazaar artist was paid.
[Verso handwritten] "Cawnpore [Kanpur]. Dec.
A Burmese Beauty
A skirt or longyis is topped by a loosely fitted long sleeve shirt and the lady wears two necklaces, one a choker and another a longer one.
Gohar Jaan
The former Angelina Yeoward (1873-1930) became one of the most famous singers in India, and one of its first gramophone-recorded artists.
A Mohmand Grass Cutter
Mela Ram was a photographer who might have warmly welcomed the advent of the real-photograph as a way for his art to take precedence over the vagaries of publishing in collotype or halftone using hand-tinted color to enhance images (there are few
Bengal Gool Mohor (a Mahomedan Lady)
A highly colourful postcard by the painter M.V. Dhurandhar bringing together a large tree, Delonix regia, with its beautiful ("flaming") red flowers, and a woman, barefoot, seated on its branch.
Jaipur Woman
This image of a reclining woman was one of the most popular postcards by the leading early Jaipur photographer and postcard publisher, Gobindram Oodeyram, and was also printed with the title Sleeping Hindu Woman.
Although the image dates from the
Exterior of Zenana, Agra.
[Original caption] Exterior of Zenana, Agra. Here white marble pavilions look out on delicate inlaid pillars and finely perforated screen's thence across the Jumna.
Miss Benzir of Allahabad
The Urdu text and number suggests that this postcard was made from what was originally a carte-des-visite. Joachim Bautze in his essay Umrao Jan Ada: Her carte-de-visite describes how this form of identification on images was a common practice among
