The Harvest
One of those postcards which remind you what an exceptional artist M.V. Dhurandhar was. In the midst of a harvest, with giant sheaves of the crop as if pulled apart like curtains, stands a woman in red with sickle in hand.
One of those postcards which remind you what an exceptional artist M.V. Dhurandhar was. In the midst of a harvest, with giant sheaves of the crop as if pulled apart like curtains, stands a woman in red with sickle in hand.
According to the Indian census of 2001, 74% of the population of India lived in 638,365 different villages.
An advertising card for one of the big London-based steam-ship travel firms who served the travel-between-India and Europe market.
Over a million Indian troops served as part of the British forces in World War I; postcards were used to help recruit them, often in languages like Gujarati, though this card seems to have been intended more for British troops already serving in
Many of the earliest postcards were actually advertising cards, given the expense of producing lithographic cards like this French view of a 17th century Nawab and son. The woman in the back holds a nautch girl's pose.
[Original caption] Shankar receives the river Ganga on his head in compliance with the prayers of Bhageeratha. [end]
This image is from a famous painting by Raja Ravi Varma (1848-1906), one of India's most important painters.
There are few intimations of relations between Europeans and Indians on postcards – or other media for that matter – making this postcard a startling exception. “Stay quiet about it,” says the sweeper in Hindu-Urdu. “Sure,” replies the soldier.
Hobson Jobson (1903) the great dictionary of Indian words in English, defines "Dhoby, Dobie s. A washerman; H. dhobi [from dhona, Skt. [Sanskrit] dhav, 'to wash.'] In colloquial Anglo-Indian use all over India. A common H. [Hindustani] proverb runs:
A 1945 calendar postcard by the Anglo-Indian animator and cartoonist Merton Lacey featuring Allied troops in India fighting the Japanese in Indo-China during World War II.
Moorli Dhur & Sons, at Ambala, a railway junction 130 miles away from Lahore, dominated the Punjab postcard market by 1910. Perhaps because of its distribution clout, it published a humorous series on different aspects of life for colonial foot