9 Reconciliation at last
The ninth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The ninth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The sixth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The most interesting of his Dhurandhar's later postcards were printed by The Lakshmi Art Printing Press. The Press belonged to Dadasaheb Phalke (1870–1944), a businessman who once worked at the Ravi Varma Press and had been a student at the J.J.
The second card in Dhurandhar's Coquettish Maid Servant Series. [Next]
The third card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. Note the chapati flour handprints on the husband's back. [Next]
The fourth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The fifth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
"There is possibly no name connected with Simla which to thousands of Anglo-Indians, past and present, can revive more memories of a pleasant nature than that of Annandale." writes Edward Buck, the longtime resident and master chronicler of the
A wonderfully posed studio shot by Plate & Co., the well-known Colombo postcard publisher and portrait artist.
A very popular Jaipur postcard, with pigeons even occupying the top of the dome on the right.