Rice Grinding [handwritten]
A rare individually hand-painted postcard of a woman with a traditional stone rice grinder, often used to grind rice batter to make South Indian idlis or dosas.
A rare individually hand-painted postcard of a woman with a traditional stone rice grinder, often used to grind rice batter to make South Indian idlis or dosas.
[Original caption] Woman Water Carrier. It is no unusual sight in India to see women performing manual labour, and in some cases they perform harder tasks than the men.
This postcard is actually an exquisite work of art, signed by the Nathdwara artist A. Ghasiram. Nathdwara in Rajasthan was a center of "Pichwai" painting for centuries.
The dominant presence in the city when the British took control of Lahore 1848 was not the Mughals, but the Sikhs.
[Original caption] A Persian Gypsy Woman and Children. These itinerant vendors of small articles travel far and wide through India, often pretending also to occult knowledge.
An impressive studio shot that lays bare the artifice used to make these images work: the painted backdrop with visible border, the matching design shoes and carpet, the desk or piano the woman's arm is resting on, surrounded by an oval frame common
Plate & Co. in Colombo dominated the postcard trade on the island of Ceylon (now Sri Lanka), and sold half a million postcards in 1907 alone, an enormous sum for a single publisher.
A hand-tinted real photography by an exceptional filmi postcard publisher in Sukkur, Sindh. The actor Nandram starred in the film Master Stroke (1927) which this postcard may celebrate, else the "Master" may simply be his title.
A beautiful example by one of the premiere Lahore coloured postcard publishers, Peshawar-based D.C. Mehra and Sons.
This view of the Aasafi Mosque in Lucknow was published by J. Serravallo in Trieste, Italy, then part of the Austro-Hungarian Empire.