Converted and unconverted Pariah
The word "Pariah" owes its origin to the Pariah caste of the Hindu society of India.
The word "Pariah" owes its origin to the Pariah caste of the Hindu society of India.
Moorli Dhur & Sons, at Ambala, a railway junction 130 miles away from Lahore, dominated the Punjab postcard market by 1910. Perhaps because of its distribution clout, it published a humorous series on different aspects of life for colonial foot
Plate & Co., like many Ceylon-based firms, published semi-nude postcards of women, more common here than even in South India, including this card with a nicely placed purple stamp.
[Original caption] The Jummas Masjid, Old Poor House Road. Jumma Masjid means "Friday Mosque" they say, and so it is not surprising that more than one Indian temple bears the name.
A fourth card in Rossler’s 1897 lithographic series of Calcutta features a fakir, the male counterpoint to the nautch dancer. Above the fakir is his spiritual guide along lifelong wanderings, Lord Shiva.
British cemeteries in South Asia are among the quietest and saddest of places, especially when one walks through them and notes how many people died young, and how many of these were infants.
A postmarked version in India from August 16, 1905 of Dhobi Washerman and sent to Mr. u [sp?], 16 Mt. Ararat Rd., Richmond, Surrey [England]." The writing is hard to make out exactly, but it seems to say: "This is Mr. Dierius' Your card Dhobi.
Another evocative card by M.V. Dhurandhar injects personality into the roving washerman. In the background is an edifice of the "new" Bombay while in the foreground we see the age-old profession of washermen cleaning the resident's laundry.
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Postcards of Darjeeling's bazaar were very common, perhaps because of the excitement at the visual engagement of people coming with their goods from nearby villages and offering them to the hillstation's residents and tourists.
Dinshaw Billimoria (1904-1942) was one of India's most famous silent film actors, and became best known for his success in R. S. Choudhury's Anarkali (1928). He made the transition to sound films successfully in the early 1930s, but died at the age