Artist-signed postcards by M.V. Dhurandhar (1867-1944), one of the premiere painters and illustrators around the turn of the century. Dhurandhar became the first Indian head of the J.J. School of Arts and where he was employed throughout his career. Most of these color postcards are from 1903-1904, were halftones and printed in Germany by an unknown publisher. Other cards from later in the decade and thereafter were published by Lakshmi Art Printing Press, and others often for advertising purposes by a variety of publishers in India and as far as Zanzibar.
Another striking portrait by the great Indian artist M.V. Dhurandhar (1867-1944). This one was sent in 1905 by an Indian postcard collector, probably in Bombay, who pursued his hobby in a way that gives insight into early collector's fine tastes:
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A rare landscape postcard by Dhurandhar, who is best known for his portraits of Bombay types.
A classic Dhurandhar portrait. The growing metropolis of Bombay with its modern buildings form the backdrop to a fully formed character, in traditional dress, with a quizzical expression on her face. Does she understand what is happening around her?
A postcard by the great Indian painter M.V. Dhurandhar illustrating an Englishwoman looking over a coolie offering his services with an empty basket. Note the cleverly positioned Indian woman with a basket on her head in the background.
The message
Dhurandhar and other J.J. School students spent so much time sketching at the beach on Marine Drive, they could hardly have failed to pick-up a sight like this. The daughter in Parsee Ladies at Seaside is even more Westernized than her mother.
Another classic, empathetic Dhurandhar portrait that seems to capture well Hobson Jobson's (1903, p. 44) definition: "BABOO , s. Beng. and H. Bābū [Skt. vapra, 'a father']. Properly a term of respect attached to a name, like Master or Mr., and
Another example of Dhurandhar's virtuosity as a painter, with the forest of trees and white flowers lending vibrancy to woman in the foreground.
Bhils are a name for ancient tribes across a wide swathe of India, including Gujarat, Madhya Pradesh, Maharashtra, and Rajasthan as well as in parts of far-eastern India. Although Hobson-Jobson claimed that "no distinct Bhil language survives" (p.
This is actually a real photograph postcard of a water colour on paper by M.V. Dhurandhar, part of a series by the artist on the people of Bombay. The recent and first major book on him, M.V. Dhurandhar The Romantic Realist (DAG, 2018) has three of
This image by the Indian painter M.V. Dhurandhar celebrates the rise of a new type of worker in early Mumbai - the peon who worked for a business owner or manager and would ultimately gather some authority by controlling access to his boss.
