Calcutta
A fourth card in Rossler’s 1897 lithographic series of Calcutta features a fakir, the male counterpoint to the nautch dancer. Above the fakir is his spiritual guide along lifelong wanderings, Lord Shiva.
A fourth card in Rossler’s 1897 lithographic series of Calcutta features a fakir, the male counterpoint to the nautch dancer. Above the fakir is his spiritual guide along lifelong wanderings, Lord Shiva.
One of Fred Bremner's favorite images, also found in his autobiography. Wandering through Kashmir he wrote ". . . the eye may sometimes rest on a figure slowly gliding through mid-air with no apparent support whatever.
Sandeman Memorial Hall in the background was built expressly to bring together Balochistan's various tribal leaders to negotiate and settle disputes between themselves and the British Indian government.
British cemeteries in South Asia are among the quietest and saddest of places, especially when one walks through them and notes how many people died young, and how many of these were infants.
Every city had its female dancers, or "nautch women" and they were often showed with the musicians who played, assisted and sometimes protected and managed them as well.
A postmarked version in India from August 16, 1905 of Dhobi Washerman and sent to Mr. u [sp?], 16 Mt. Ararat Rd., Richmond, Surrey [England]." The writing is hard to make out exactly, but it seems to say: "This is Mr. Dierius' Your card Dhobi.
Another evocative card by M.V. Dhurandhar injects personality into the roving washerman. In the background is an edifice of the "new" Bombay while in the foreground we see the age-old profession of washermen cleaning the resident's laundry.
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A black and white version of the colorized postcard Darjeeling. The Bazaar.
Postcards of Darjeeling's bazaar were very common, perhaps because of the excitement at the visual engagement of people coming with their goods from nearby villages and offering them to the hillstation's residents and tourists.
Dinshaw Billimoria (1904-1942) was one of India's most famous silent film actors, and became best known for his success in R. S. Choudhury's Anarkali (1928). He made the transition to sound films successfully in the early 1930s, but died at the age