A Rodiya Woman Carrying Water, Ceylon
Plate & Co., like many Ceylon-based firms, published semi-nude postcards of women, more common here than even in South India, including this card with a nicely placed purple stamp.
Plate & Co., like many Ceylon-based firms, published semi-nude postcards of women, more common here than even in South India, including this card with a nicely placed purple stamp.
Bremner was among the very earliest postcard publishers of SIndh, and included a handful of views of Sukkur, a town not often photographed by colonial residents.
[Original caption] The Jummas Masjid, Old Poor House Road. Jumma Masjid means "Friday Mosque" they say, and so it is not surprising that more than one Indian temple bears the name.
A fourth card in Rossler’s 1897 lithographic series of Calcutta features a fakir, the male counterpoint to the nautch dancer. Above the fakir is his spiritual guide along lifelong wanderings, Lord Shiva.
One of Fred Bremner's favorite images, also found in his autobiography. Wandering through Kashmir he wrote ". . . the eye may sometimes rest on a figure slowly gliding through mid-air with no apparent support whatever.
Sandeman Memorial Hall in the background was built expressly to bring together Balochistan's various tribal leaders to negotiate and settle disputes between themselves and the British Indian government.
British cemeteries in South Asia are among the quietest and saddest of places, especially when one walks through them and notes how many people died young, and how many of these were infants.
Every city had its female dancers, or "nautch women" and they were often showed with the musicians who played, assisted and sometimes protected and managed them as well.
A postmarked version in India from August 16, 1905 of Dhobi Washerman and sent to Mr. u [sp?], 16 Mt. Ararat Rd., Richmond, Surrey [England]." The writing is hard to make out exactly, but it seems to say: "This is Mr. Dierius' Your card Dhobi.
Another evocative card by M.V. Dhurandhar injects personality into the roving washerman. In the background is an edifice of the "new" Bombay while in the foreground we see the age-old profession of washermen cleaning the resident's laundry.
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