In her Tourist's India (1907), Eustace Alfred-Reynolds Ball writes: "Colonel Durand in his "Making of a Frontier" gives in few words a picturesque yet accurate description of Srinagar from the river : "The town, a huddled mass of lightly-built…
The photographic original of one-half of the lithograph A Fair Exchange by W. Cooper. That postcard seems to have been made a few years previously (it is court-sized).
This may be the very cottage where Bremner had an indelible experience. He writes in his autobiography “I never spent such a night. The melting snow was trickling on to the bed through apertures in the ceiling.
Postcards were an important advertising tool for hotels from the mid-1890s, when Alpine hotels in Austria, Germany and Switzerland helped to popularize the medium.
An unusual embossed scene, likely in Andhra Pradesh, where the frame contrasts nicely with the blue canal. Produced by a missionary organization, probably to raise money or advertise their activities in India.
Although the women do look somewhat similar in this set of a dozen Mughal Empresses, they can be identified individually thanks to the Urdu captions beneath each: [From Top Left to Top Right, First Row] Jamila Khatoon W/o [Wife of] Muhammad Mirza…
Some of the most interesting postcards are bazaar and storefront scenes, which can be staged or candid, but always seem to contain a wealth of information about life a century or more ago.
The Shalimar Gardens in Lahore, about 18 km from the Indian border at Wagah, were constructed in the 1640s by the Mughal Emperor Shah Jehan. They were inspired by his father Emperor Jehanghir's Shalimar Gardens in Srinagar, Kashmir.
The Princely State of Chamba appeared on few postcards during the Raj even though its rulers seemed to have good relationships with a number of Punjab-based photographers, including Fred Bremner and John Burke.
An unusual card which shows a woman, presumably a dancer, looking at the the photograph of a man, a self-reflexive trope that may or may not be recognized by us, who hold the postcard in our hands.
