An example of how writing could create something aesthetically appealing and seemingly become one with an image.
Clifton & Co.
One of the most popular views of plague camps in Bombay at the turn of the century, here with a nicely positioned stamp. Postmarked June 30, 1906, Mumbai. Addressed to “Miss Amy L.
Handwritten on the back is a part of a longer message that discusses the plague then present in Bombay: “A poor soldier got it but recovered a Sergeant’s child died of it & Major Murray has been very ill and is only a little better.
This finely lithographed card by Clifton & Co. was one of the their most popular images, and produced in multiple black and white formats. Originally from a photograph, this colored version would have required multiple print runs.
This postcard is probably among the earliest of the Golden Temple in Amritsar, given the undivided back, and Clifton's role as one of the earliest all-India postcard publishers. It is probably from a 19th century albumen print.
This card was sent
Parsis in India originally came from Iran (Persia), and Parsi ladies were among the first Indian women to have had an active public life, no doubt helped by a high literacy rate in the community (there is a postcard or letter in the woman's hand).
The bhistee or water carrier was a critical support to urban life before running water became widespread and reliable, and is one of the most frequent postcard subjects.
Mayo College in Ajmer, Rajasthan, which bills itself as the best boys boarding school in India, was founded in 1875 by the the 6th Earl of Mayo who was also the Viceroy of India from 1869 until 1872, when he was assassinated by a convict on the