The Fakirs at Benares, On the Bank of the Ganges. India.
An rare French postcard of Benares [Varanasi], featuring fakirs debating and listening with the ghats in the background.
An rare French postcard of Benares [Varanasi], featuring fakirs debating and listening with the ghats in the background.
This postcard by the French artist Emile Dupuis honoured the Indian soldiers who fought with the Allies in in what is better known as the First Battle of Ypres in Belgium, an early World War I battleground where some 160,000 German soldiers died.
A magnificent postcard by the Australian painter Mortimer Menpes (1860-1938), based on a visit to India he made for the 1903 Darbar. An ageing warrior is given life by dazzling colors.
Many of the earliest postcards were actually advertising cards, given the expense of producing lithographic cards like this French view of a 17th century Nawab and son. The woman in the back holds a nautch girl's pose.
[Original German] Maedchen Schule in Jeypore [end]
This image was made by the Austrian landscape painter Josef Hoffman who toured India and Persia in the 1890s.
A postcard like this was the result of a careful and perhaps exhausting pose by the dancers. Note the man holding up the backdrop, which probably covered a studio wall or other scene.
Postmarked 22 March 1905 in Bombay, and April 18 1905 in Salt Lake City, Utah. Addressed to “H. H. Rogers Esq. Konupa Makme-Kopunuka, Odessa South Russia-in-Europe." [Recto] “Magnificent station but far too big for requirements.” Today it is the
Hobson Jobson (1903) the great dictionary of Indian words in English, defines "Dhoby, Dobie s. A washerman; H. dhobi [from dhona, Skt. [Sanskrit] dhav, 'to wash.'] In colloquial Anglo-Indian use all over India. A common H. [Hindustani] proverb runs:
A 1945 calendar postcard by the Anglo-Indian animator and cartoonist Merton Lacey featuring Allied troops in India fighting the Japanese in Indo-China during World War II.
An extremely rare early postcard by an little-known lithographer, W. Cooper, in Bombay. It looks to crude to have been made at The Ravi Varma Press. Cooper seemed to prefer risque images.