Watching the Pageant, Delhi
[Original caption, Verso] “Watching the Pageant, Delhi. The great Delhi Durbar is known by means of the vernacular press to the inhabitants of the remotest parts of India.
[Original caption, Verso] “Watching the Pageant, Delhi. The great Delhi Durbar is known by means of the vernacular press to the inhabitants of the remotest parts of India.
A interesting very early lithographic card from Bombay by the little-known city artist/publisher W. Cooper, who seems to have specialized in the risque postcard (the same woman seems to be the model for A Trysting Place). Two things are particularly
The central bazaar in Peshawar, capital of the North West Frontier Province (NWFP, now KPK) was a common postcard subject, even for distant publishers like H.A. Mirza in Delhi. Murrays Handbook for Travellers in India Burma and Ceylon (1928) wrote:
A postcard that celebrates the arrival of a new machine at the Kolar gold fields, 160 miles west of Madras (Chennai). The mill was already described as being powered by electricity in 1902. This postcard by Wiele & Klein in Madras shows how the
Seated on a horse, this Jaipur Sardar wears a traditional dress and looks very bored indeed.
Some of the most beautiful and rarest early postcards of India are hand-painted, often with penciled titles and the simply printed word "post card" on the back.
[Original caption] A Toda House _ Its Master and Mistress.
A very unusual early split-screen postcard by Julian Rust, "Art Photographer," which combines collotype images with the ornate decorative flourish of lithographic postcards. Hobson-Jobson (1903, p.
An unusual keyhole view by Plate & Co. The top part of the front of the card could also have been used for a message. Plate's Art Card series was distinguished for its rich use of color on a slightly embossed or corrugated halftone surface.
[Original caption] The Chowk and Howa Mahal. This is a picturesque and animated scene. The inhabitants of Jeypore are a busy people, and their bazaars are generally crowded.