One of Fred Bremner's most popular postcards, also titled Specimens of Walnut and Copper Carving, Kashmir. The density of the collotype deepends ones appreciation of the woodworker's lifework.
Postmarked Rawalpindi, 21 Oct.
![La Poste Au Cachemire [The Kashmir Post]](https://www.paperjewels.org/sites/default/files/styles/square_thumbnail/public/slides/kashmir-post_0.jpg?itok=WAluJcVI "La Poste Au Cachemire [The Kashmir Post]")
This was an postcard celebrating postal services around the world. Made by Kunzli Freres (Kunzli Brothers) in Switzerland, a famous early high-end lithographic printer later best known for its elaborate cat and other artistic postcards.
[Original Italian title] La Posta Nelle Indie Inglesi [end]
[Original caption] D'estate quando le infezioni della polvere trovano nel sudore e nella pelle un terreno comodissimo al loro sviluppo, l'unico disinfetante, che non essendo veleneso ne
Catamarans are one of the first types of boats and the earliest users of catamarans were apparently fishermen living on the southern coast of Tamil Nadu; the word itself is of Tamil origin.
This finely lithographed card by Clifton & Co. was one of the their most popular images, and produced in multiple black and white formats. Originally from a photograph, this colored version would have required multiple print runs.
Boat bridges were common in the 19th century; not only the Ravi at Lahore, but the Hooghly in Kolkata, the Indus at Attock were all traversed by ancient boat bridges that rose or were washed away by floods, but could easily be managed and repaired.
An early Italian or French postcard celebrating or advertising the city of Bombay. It also features a bicycle, then becoming popular in the city.
Note the rich character on this man's face in an image by M.V. Dhurandhar, one of India's most exceptional and prolific early 20th century painters and postcard artists.
Sent to Master E.
Another exuberant, deftly rendered very early postcard by Paul Gerhardt, chief lithographer at the Ravi Varma Press in Bombay. Note the simply drawn mosque minarets, the colors that pull you in while the cart pushes out into the foreground space.
This postcard is probably among the earliest of the Golden Temple in Amritsar, given the undivided back, and Clifton's role as one of the earliest all-India postcard publishers. It is probably from a 19th century albumen print.
This card was sent
