Indian Postman
An early Belgian advertising card for Lux – but not the soap!
1900-1909
General Post Office, Meerutt (India)
Postcards of post offices at the turn of the century were quite popular, as if celebrating an institution and network that was becoming more important as image postcards and communication volume increased throughout the continent.
Bangalore. Alsur Temple Gateway.
A standout Tuck's postcard of one of the oldest temples in the city, with the tall dark gateway set-off against the people and view of the temple inside.
Amritsar. The Golden Temple Gateway and Entrance.
A coloured collotype postcard where the golden hues on the stones have been emphasized to add to the splendor of the building.
A Toddy Drawer, Madras
A popular figure specific to early South Indian postcards is the toddy drawer. Palm wine was made from sap collected from trees in little pouches.
The Mausoleum - Khusru Bagh. Allahabad.
The Tomb of Khusru, the son of Mughal Emperor Jehangir. Prince Khusrau (Khusru) was favored by his father, the Mughal Emperor Jehanghir, to succeed him.
Barian Bazaar (Snow)
Snow blankets Barian, a town near Murree hillstation in the Punjab. Baljee was an army photographer based in Murree whose large albumen prints (note the title in the negative at the bottom left) were published as coloured collotype postcards.
Ellerman's City Line to India
An advertising card for one of the big London-based steam-ship travel firms who served the travel-between-India and Europe market.
Apple Tree Nala, Srinagar, (Kashmir)
This is among the earliest postcards of Kashmir, printed for a British publisher most likely by Raphael Tuck & Sons in London just before they themselves started printing what are probably the most well-known series of Indian postcards under their
The Ayah
This postcard shows a nanny with a pram on the “Queen’s necklace” of Malabar beach in Bombay. The artist Dhurandhar and other fellow J.J.
