An early painted postcard, part of a series commemorating the 1903 Delhi Durbar but abstracted to something broader as "The Gorgeous East" series; note the water in the background which likely would not have been part of the Delhi Durbar.
Although the word "concentration camp," has since been primarily associated with Nazi concentration camps during World War II (1939-1945), the word was in use earlier in wider contexts as a place where many people were concentrated in one location,
[Original caption] King's Bath. When surrounded by Oriental Gardens the palace must have been more beautiful than anything we know of in the East.
[Original caption] Commenced in 1644 A.D. by the Emperor Shahjahan and completed by him in 1658 A.D. Is said to have employed a daily average of 5000 workmen. [end]
At the back of the mosque and foreground of the image, separated by a cloth and stick
Usually, dancing women were unnamed, even when they become famous (for example, Gohar Jan became a "Bombay beauty"). In this case however perhaps her name or fame justified a different approach, and it was better marketing by the unknown publisher to
An early Tuck's painted postcard made to celebrate the 1903 Delhi Darbar. Viceroy Lord Curzon and his wife Mary are atop the elephant, their arrival opened the Darbar.
The low angle of this splendid postcard of the mid-18th century tomb of Nawab Safderjung seems to widen at the bottom and reach towards the viewer. Note the two figures in white, almost invisible against the whitewash of the pedestal.
The final of the great three Darbars in Delhi - 1897, 1903 and 1911 - was also the most "postcarded" of Darbars, with numerous publishers seeking to out do each other with series illustrating the spectacle. While H.A. Mirza & Sons in Delhi probably
One of the earlier firmly dateable postcards by H.A. Mirza & Sons, the Chandni Chowk photography firm which was to become the dominant Delhi and northern Indian postcard publisher by 1905.
Postmarked Jaipur November 22, 1903 and Chicago Dec.