Bombay
A magnificent early lithographic postcard of Bombay, show Marine Drive before the Art Deco buildings became a dominant feature in the 1930s.
A magnificent early lithographic postcard of Bombay, show Marine Drive before the Art Deco buildings became a dominant feature in the 1930s.
This image by the Indian painter M.V. Dhurandhar celebrates the rise of a new type of worker in early Mumbai - the peon who worked for a business owner or manager and would ultimately gather some authority by controlling access to his boss.
[Original caption] An Ayah - The term ayah may be applied both to nurses for children and for ladies maids.
The GPO in Bombay was already the largest post office in India when this card was produced in 1899, with tens of millions of postcards passing through in a city of less than a million.
[Verso Original handwritten caption] After an argument with the sails of a sampan. [end]
An unusual real photo postcard of the Fairey IIID, an early 1920s British seaplane that "was popular with aircrew but they were difficult to maintain and when
This postcard shows a nanny with a pram on the “Queen’s necklace” of Malabar beach in Bombay. The artist Dhurandhar and other fellow J.J.
The pier across the Taj Hotel where the Gateway to India now stands. This area was expanded with a sea wall and entry steps before the Gateway to India was completed in 1924. The Japanese-style pavilion seen here was removed.
[Original] Victoria Brunnen
Compagnie Comet seems to have been the earliest publisher of a series of cards on India, their name appearing as "Verlag [Firm] "Compagnie Comet", Fr. Th.
An early advertising card for the West End Watch Co. in Bombay (373 Hornby Road) and Calcutta (14 Dalhousie Square), produced by a famous Swiss printing house.
A very early India-printed postcard signed by the chief lithographer at the Ravi Varma Press, Paul Gerhardt. Gerhardt was probably aware of Ravi Varma's prize-winning painting that year, Water Bearer, and we know from Raja Varma's diaries - the great