A model of Punjab beauty
A striking distinctive portrait, nicely silhouetted at the bottom, with the richness of the collotype making her seem photographic.
A striking distinctive portrait, nicely silhouetted at the bottom, with the richness of the collotype making her seem photographic.
The eighth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The seventh card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The tenth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [First]
The ninth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The sixth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The most interesting of his Dhurandhar's later postcards were printed by The Lakshmi Art Printing Press. The Press belonged to Dadasaheb Phalke (1870–1944), a businessman who once worked at the Ravi Varma Press and had been a student at the J.J.
The second card in Dhurandhar's Coquettish Maid Servant Series. [Next]
The third card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. Note the chapati flour handprints on the husband's back. [Next]
The fourth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]