A Toddy Drawer, Madras
A popular figure specific to early South Indian postcards is the toddy drawer. Palm wine was made from sap collected from trees in little pouches.
Divided back
The Mausoleum - Khusru Bagh. Allahabad.
The Tomb of Khusru, the son of Mughal Emperor Jehangir. Prince Khusrau (Khusru) was favored by his father, the Mughal Emperor Jehanghir, to succeed him.
Barian Bazaar (Snow)
Snow blankets Barian, a town near Murree hillstation in the Punjab. Baljee was an army photographer based in Murree whose large albumen prints (note the title in the negative at the bottom left) were published as coloured collotype postcards.
A Kashmir Boatman, Srinagar
An unusual vertical postcard, with the boat spilling out of the near frame, and an active centered boatman. An unknown owner wrote in pen on the back: "Note the shape of the paddle.
[Movie Ad Card]
![[Movie Ad Card]](https://www.paperjewels.org/sites/default/files/styles/square_thumbnail/public/slides/movie-ad_0.jpg?itok=KXIUT7fC "[Movie Ad Card]")
A movie advertising card from an Ahmedabad publisher whose other specialty was Hindu gods and goddesses.
Ellerman's City Line to India
An advertising card for one of the big London-based steam-ship travel firms who served the travel-between-India and Europe market.
Astronomical Observatory - Jaipur
Jaipur’s relationship to the heavens had many facets, from the laying of the main avenue on an East–West axis between “the gates of the sun and moon,” to Maharajah Sawai Ram Singh’s personal fascination with astronomy.
Hamburg India Harbour
The India docks in the German port city of Hamburg, from where an increasing amount of goods, even postcards, were flowing back and forth at the turn of the century.
Kradyal Canal, Srinagar, Kashmir
A view of the canal in Srinagar, the summer capital of the Maharajah-ruled state of Jammu and Kashmir during the Raj. This view of a house jutting over the canal was popular among photographers and postcard printers.
Apple Tree Nala, Srinagar, (Kashmir)
This is among the earliest postcards of Kashmir, printed for a British publisher most likely by Raphael Tuck & Sons in London just before they themselves started printing what are probably the most well-known series of Indian postcards under their
