Happy
A truly multi-purpose postcard by Paul Gerhardt.
A truly multi-purpose postcard by Paul Gerhardt.
A humourous postcard showing a sleeping father, who is supposed to be pulling the punkah [fan] string to cool the off-framed European, but instead has delegated the task to his son. The punkahwallah not doing his duty was a common postcard theme.
A refreshing portrait of a woman looking straight back at the viewer, not contained by the frame. Most probably from a portrait by Charles Scowen in the 1870s, who photographed the same woman in slightly different poses.
In her Tourist's India (1907), Eustace Alfred-Reynolds Ball writes: "Colonel Durand in his "Making of a Frontier" gives in few words a picturesque yet accurate description of Srinagar from the river : "The town, a huddled mass of lightly-built
This early postcard was published by the "Bazaar for the Suffering Child," a missionary group in Germany for domestic consumption and draws our attention to two features of early European postcards.
An early lithographic card by the elusive Bombay lithographer and publisher W. Cooper. Like some of this other cards, it seems to have originated in a photograph also published as a postcard by The Phototype Co.
The photographic original of one-half of the lithograph A Fair Exchange by W. Cooper.
Like the backs of many Dhurandhar cards, this one bears the blind stamp and price ["A.H.W. Rs. 0-1-0," e.g. 1 anna] of A.H. Wheeler & Co., at 47 Hornby Road, the bookstall chain and contractor for advertising on Indian Railways.
This may be the very cottage where Bremner had an indelible experience. He writes in his autobiography “I never spent such a night. The melting snow was trickling on to the bed through apertures in the ceiling.
Postcards were an important advertising tool for hotels from the mid-1890s, when Alpine hotels in Austria, Germany and Switzerland helped to popularize the medium.