Gajagauri
[Verso] Gaja-Gauri :- Goddess Parwati. [end]
From a painting by Raja Ravi Varma, Parvati is the Hindu goddess of fertility, love, beauty, marriage, children, devotion, divine strength and power.
[Verso] Gaja-Gauri :- Goddess Parwati. [end]
From a painting by Raja Ravi Varma, Parvati is the Hindu goddess of fertility, love, beauty, marriage, children, devotion, divine strength and power.
This postcard shows a scene at the platform of Karla railway station outside Mumbai where The Ravi Varma Press was headquartered. On the platform, a barefoot man is holding a stick, another is smoking a hookah.
This finely lithographed card by Clifton & Co. was one of the their most popular images, and produced in multiple black and white formats. Originally from a photograph, this colored version would have required multiple print runs.
Another exuberant, deftly rendered very early postcard by Paul Gerhardt, chief lithographer at the Ravi Varma Press in Bombay. Note the simply drawn mosque minarets, the colors that pull you in while the cart pushes out into the foreground space.
Vishvamitra was a revered sage in ancient India; this postcard from one of Ravi Varma's most famous paintings shows how he rejects knowledge of his child by turning away and hiding his gaze with a dramatic gesture.
[Original caption] Menaka sent by
This postcard is probably among the earliest of the Golden Temple in Amritsar, given the undivided back, and Clifton's role as one of the earliest all-India postcard publishers. It is probably from a 19th century albumen print.
This card was sent
The gun in front of Lahore Museum that was made famous in Rudyard Kipling's novel Kim which begins "He sat, in defiance of municipal orders, astride the gun Zam-Zammah on her brick platform opposite the old Aijab Ghar–the Wonder House, as the natives
Parsis in India originally came from Iran (Persia), and Parsi ladies were among the first Indian women to have had an active public life, no doubt helped by a high literacy rate in the community (there is a postcard or letter in the woman's hand).
The bhistee or water carrier was a critical support to urban life before running water became widespread and reliable, and is one of the most frequent postcard subjects.
When this postcard was published in 1899, the BMC building as it has come to be known across of Victoria Terminus railway station had been open barely six years.