[Original caption] Madras, Holy Tank at Tirukalikunoram. Here in a great square court surrounded by people, palms, and neem-trees, we have one of the great Holy Tanks of Indian pilgrimage.
[Original caption] Diwan-i-Khas, "The Hall of Audience," a pavilion of white marble shining in the sun; walls and ceilings, pillars and arches, all inlaid with rich yet delicate color.
A clever postcard by master artist M.V. Dhurandhar showing the modernization of fashion among women in his hometown of Bombay. This card was published by D.B.
[Original caption] The Pagoda, Eden Gardens. The Eden Gardens are beautifully laid-out grounds and were for many years the gathering place in the evening of the fashionable society of Calcutta.
There are very few early postcards – besides a handful of missionary ones – of Assam, an area in northeastern India brought under British control in the first half of the 19th century following wars with the then Kingdom of Burma.
Technically an informational postcard, this sumptuous lithograph nonetheless expresses the confusion in Europe about Asia: the design elements around the view of the Kailash Temple in Ellora are Chinese, and the French text locates it a few hundred
One of the most popular early postcards of Parsees was this arresting composite portrait by Clifton & Co. The original albumen likely dates to the late 1890s.
[Original caption] A RAJPUT V.C. "For most conspicuous bravery and devotion to duty in leaving cover to assist in his Commanding Officer who was lying wounded and helpless in the open.