Calcutta. Juggernath Bathing Ghat
This ghat was one of the most common photographic and postcard images, and renamed in 2012 as Chotulal's Ghat. It apparently dates back to the 18th century.
This ghat was one of the most common photographic and postcard images, and renamed in 2012 as Chotulal's Ghat. It apparently dates back to the 18th century.
A "Greetings from India" postcard composed of many images, each of which were also separate postcards, within stenciled letters. On the back the owner wrote "What do you think of the square tacks?"
A very early postcard most likely drawn by lithographer Paul Gerhardt and printed at The Ravi Varma Press, although this is not certain and is based on its similarity to other signed Gerhardt postcards in its use of leaves and trees and background.
"Another sign of the transition from the wet to the dry season was to be seen in the immense number of jute-stem stacks standing on every field and lawn," wrote Nirad Chaudhry in his Autobiography of an Unknown Indian. "After the bark which yields
A striking collotype published in many versions by Clifton & Co. The Arhai-Din-Ka-Jhopra was built in the 13th century by the first Muslim Sultan in India, Qutb-ud-Din Aibak, and before him by Abu Bar of Herat, Afghanistan.
Bullocks that ferried water were called "water bullocks." This colored image by Clifton & Company, one of the earliest mass publishers of postcards in Mumbai (Bombay) was fairly popular, perhaps because of its rich colors.
"After the merciless grind of a rough day," wrote the Sindhi writer and nationalist Ibrahim Joyo (1915-2017) in his short story In the Name of Allah, "how soothing it is to feel the balmy breeze in Karachi's Burns Gardens, especially on a fresh
In Ali Raza's excellent book Revolutionary Pasts Communist Internationalism in Colonial India (Tulika Books, 2022) there is this note from a police report in 1926: "A public meeting was held . . . under the auspices of the Nau Jawan Bharat Sabha to
The photographer S. Singh seems to have specialized in real photographs carefully coloured by hand after printing. The anonymous owner of this card wrote on the back: "Sunrise on the sea of clouds as we watch it touch Mt.
A zenana carriage offered veiled transport for women through the city. These single cards are similar to Chinese handmade postcards and are often court-sized with undivided backs, and not often mailed abroad.
A version of this card is postmarked