General Post Office, Calcutta
Sepia cards were printed in a brown colour instead of black inks on halftone, collotype and real photo postcards. They went in and out of fashion from 1900 through the 1940s.
Divided back
A Potter, Northern India
[Original caption] A Potter, Northern India. Fostered by "caste," the native craftsman remains, contentedly, throughout his life in that sphere of industry into which he was born.
The Delhi Gate Fort, Agra.
[Original caption] Delhi Gate Fort. The gateway is of red sandstone. The walls are 70 feet high and one mile and a half long. The Europeans and their followers took refuge in the Fort during the Mutiny. [end]
Among the very first Tuck's postcards of
Brahman
The Brahmin, as the art scholar Allan Life has noted, is reluctantly shuffling from tradition to modernity, from the temple behind him to the new city in front of him.
Bombay. General Post Office.
[Original caption] General Post Office - Here is to be found a very fine building and an immense amount of business is transacted here. [end]
Opened in 1913, with a central dome modelled after the Gol Gumbaz in Bijapur, this remains one of the iconic
Simla View from the Cart Road
[Original caption] View from the Cart Road. Simla is in the mountainous region of the Punjab, on the southern slopes of the Himalayas. The town is beautifully laid out and the scenery is magnificent. [end]
Note the boy carrying wood in the foreground
Parade Road, Belgaum
A very nicely coloured card, using side profiles of people, a commonly trope in albumen photography, to mark the scale of a scene. An open road extends across the whole foreground. The shadows fall softly on the right.
Table Boy
From an unusual lithographic series, a marvelous rendition of a type still very active throughout the subcontinent and restaurants abroad.
Dalhousie Square, Calcutta
[Original caption] Dalhousie Square.
A Burmese Beauty
A skirt or longyis is topped by a loosely fitted long sleeve shirt and the lady wears two necklaces, one a choker and another a longer one.
