7 False defense.
The seventh card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The seventh card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The tenth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [First]
The ninth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The sixth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The most interesting of his Dhurandhar's later postcards were printed by The Lakshmi Art Printing Press. The Press belonged to Dadasaheb Phalke (1870–1944), a businessman who once worked at the Ravi Varma Press and had been a student at the J.J.
The second card in Dhurandhar's Coquettish Maid Servant Series. [Next]
The third card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. Note the chapati flour handprints on the husband's back. [Next]
The fourth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The fifth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
When the bubonic plague struck Bombay in the 1890s, postcards were used, in part, by the business community to communicate that all was okay, and that patients were being well taken care of in facilities like this one with clean interiors and an