A Parsee Lady
Parsi women were a popular subject—progressive women with traditional virtues, counterpoints to the nautch girl. This Parsi Lady is holding what could be a postcard.
Parsi women were a popular subject—progressive women with traditional virtues, counterpoints to the nautch girl. This Parsi Lady is holding what could be a postcard.
The imperialism is repugnant, but there is no doubt that this rare card by British publisher C.W. Faulkner & Co. is a masterpiece of design.
A richly mysterious image by the postcard poet of the Murree hills, Baljee. A whisper of a road peeks out from under the forest coverage on the right above his signature in the original albumen negative.
A very early lithographic postcard of Calcutta, postmarked as early as the first half of 1899, and published from Budapest, then part of the Austro-Hungarian empire.
The sitter's expression is among the more memorable antique postcard portraits.
Another example of Dhurandhar's virtuosity as a painter, with the forest of trees and white flowers lending vibrancy to woman in the foreground.
[Original caption] The Taj from across the river. One must cross the river to see the beautiful view of the Imperial Mausoleum balanced by the Mosque and Hall of red sandstone which set it off.
[Original caption] Apollo Bunder. Here are to be found very large and fine buildings, including the Government Docks and the Custom House and many other important Docks, etc. [end]
[Original caption] Baland Khels. This tribe inhabits the North-West frontier of India, close to the native state of Afghanistan, the boundary between their provinces and the Indian states being the River Kurram.
D. A. Ahuja published a number of postcards of Rangoon jail, including the scene just before this one, while they are waiting for their breakfasts. According to one account of the Burmese prison system, "The annual reports on the prison