Courtyard India Pavilion
The British Empire Exhibition in 1924 was promoted with many a series of postcards by British publishers, including a series by the artist Ernest Coffin, of which this though unsigned seems to be an example.
Divided back
Puran Reading in a Temple
This image by the Indian painter M.V. Dhurandhar manages to convey a real sense of personality and drama to the situation through the face and gesture of the priest.
Sent to Miss C. Blackwood, R.D. Route No.
Mother and Child
A very simply but effectively hand-tinted card: blue, yellow and a pink hue that connects the babies anklet and mother's right earrings.
Icicles, Simla
An exceptional painterly, abstract postcard. Note the ladder at the top.
Miss Chanda of Hyderabad
Dancers were not named frequently named; unusual too is the purple and white hand-tinting.
Srinagar, 6th Bridge
[Verso, handwritten] "C.S.MS Missionary, now retired. So sorry, I forgot to provide stamps on the envelope I posted yesterday. I enclose 2 to make amends. With love A."
Salaams from India
Perhaps the most popular of the "Greetings from" postcards from India was this "Salaams from" version by the large Delhi publisher, H.A. Mirza & Sons.
A Coolie in the Stocks, Hongkong
Among the more interesting postcards are those showing Indians abroad, in this case serving as police officers in Hong Kong, then also a British possession.
Jahangirsha his jar of wine and Zaibun Nissa Begam
It seems as if the Mughal Emperor Jehanghir's (1569-1627) fondness for wine merited a postcard many centuries later.
Female Spinning, Jaipur
While this postcard published in Jaipur may have had nothing directly to do with the Swadeshi movement then taking off in Bengal, the charkha was am emblem of that cause for self-sufficiency and using indigenous materials and processes instead of
