Street Scene, Madras
Note the diagonal leading the eye into a rich scene, the figures in the corners of the frame, the tethered cow on the left, the pots in the coals, the vibrancy of this human space under a hoisted banner.
Note the diagonal leading the eye into a rich scene, the figures in the corners of the frame, the tethered cow on the left, the pots in the coals, the vibrancy of this human space under a hoisted banner.
Built by the British, the Murree General Post Office (GPO) crowns the commercial Mall an hour north of Rawalpindi and Islamabad.
A rich color palette pervades this scene.
Sukhdeo (Sukhdev) was born as the son of Ram Lal in Lyallpur (now Faisalabad in Pakistan).
Sukhdev (1907 - 1931) was a very popular revolutionary in India's freedom struggle.
Maybe it is the hookahs and Arab head dress of the main in the green robe smoking a cigarette, but this seems to be a scene in Bombay bazaar. The electrotype (imprint on the back) matches that of Clifton & Co.
An early view of golf being played in British India, with both a man and woman playing.
A popular image of Commercial Street in Bangalore by one of its most popular studios run by M. C. H. Doveton. Note that the poster on the left has the word "War" readable which suggests it is from around the first World War I period.
Early postcards from the Malabar coast seem to be relatively rare. In the message below, "Dusk" seems to be a dog.
[Verso] "6-5-20. Aren't they smartly pretty? I expect Dusk would like to bite this calf don't you?
A fine example of the performative act that sending a postcard was when they first became popular. The nicely positioned and cancelled stamp, the sender's signature, "Doux Baisers" ("Sweet Kisses"), sent to his wife in France.
A nice representation of a small portion of the human labor – a dozen people here – that went into the preparation and production of a commodity like tea.