![Empire of British India and Ceylon [Coins]](https://www.paperjewels.org/sites/default/files/styles/square_thumbnail/public/slides/coins-of-the-raj_0.jpg?itok=58p0u2yD "Empire of British India and Ceylon [Coins]")
A beautiful embossed card showing exchange rates between Indian and European currencies, in those days usually stable for long periods of time.
The H.S.M. in the top left corner stands for Hugo Semmler, Magdeburg, per Helmfried Luers in his The
R. Jalbhoy was a major Karachi photographer and postcard publisher at the turn of the century, who could often depict people and parts of the city that fell off the usual tourist or landmark circuit. Note the shoes on the sitters in this studio shot.
A poignant hand-painted card by an A. White, likely on this ship as it was leaving India after Independence.
[Original caption] Built during the reign of Akbar the great in 1599 A.D. [end]
An apparently delicately stenciled postcard where the dense but eroded condition of the original panels are veiled by loosely applied tints.
[Original handwriting, verso] "This musical instrument is called Murli. When Krishna brought the snake out of the Jamna river he played on this instrument and on that account he is also known as Murlidhar." [end]
![Guerre 1914 - Hindu Fumant La Pipe [Indian Smoking a Hookah]](https://www.paperjewels.org/sites/default/files/styles/square_thumbnail/public/slides/guerre-1914-hindu-fumant-la-pipe.jpg?itok=kwDQFF8z "Guerre 1914 - Hindu Fumant La Pipe [Indian Smoking a Hookah]")
Postmarked May 24, 1919, some six months after World War I was over, though the card itself is probably dated earlier. Note the European man apparently smoking a pipe in the background.
A lightly tinted real photo postcard from an unusual low angle.
King George V (1865-1936) and Queen Mary (1867-1953) visited Peshawar from 2nd to 5th December 1905, as part of the Tour of India, but this real photo postcard was likely printed a decade or two later, so significant was this visit to British
One of the few Dutch postcards of Indians, though these portraits often were striking, like this postcard of a Hindu.
These generic postcards, with a different city slapped on the top signboard and the message, were rare in British India, perhaps because of the most incongruous scene and in this case, forest setting.
