An unusual coloured collotype by Kashmir's premiere postcard publisher. The pink seems to billow both outward from the frame and upward to the woman's face.
An early postcard by R. Jalbhoy, a Karachi photographer who established his practice around 1890 and later would become a reputable dealer for Kodak and various European photographic goods on Elphinstone Street.
One of the more beautiful hand-tinted real photographic postcards. Identified only as a South Indian woman, it seems to have been printed in a French colony (Vietnam?) by a Chinese photographer.
A portrait of a woman in a photographer's studio where the fine detail of her garment and the cane work she is resting her arm on almost overwhelm the sitter. There is also detail in the background, and even the carpet is full of patter. K.
A classic Dhurandhar portrait. The growing metropolis of Bombay with its modern buildings form the backdrop to a fully formed character, in traditional dress, with a quizzical expression on her face. Does she understand what is happening around her?
This postcard actually shows Gohar Jan, India's first gramophone recorded artist (1902) and the most famous singer of her time.
This woman, in a similar pose on a postcard published by and from a photograph by Fred Bremner, was called "A Punditani (Hindu) Kashmir." Inasmuch as titles were fluid, the same image, above, was called "A Daughter of Noah Dal Lake Kashmir" in a
Dambatenne Estate, established in 1890, is still part of the Lipton's team empire. Perhaps most noteworthy about this advertising postcard is the way the woman's orange clothing is both distinct from and engulfed by the tea leaves.