A postcard by what was probably an amateur artist, Miss L. Barne, in Madras who self-published the card as a series of six cards. [Verso] "To be obtained from Miss Barne, St. Ebbas, Madras, and from Miss Farnell, 56, Manchester Square, W. I."
A view of the canal in Srinagar, the summer capital of the Maharajah-ruled state of Jammu and Kashmir during the Raj. This view of a house jutting over the canal was popular among photographers and postcard printers.
This is among the earliest postcards of Kashmir, printed for a British publisher most likely by Raphael Tuck & Sons in London just before they themselves started printing what are probably the most well-known series of Indian postcards under their
This card is from a series of 6 postcards by the unknown painter E.E. probably self-published around 1910. It is of unusual size, and came in a nice envelope with the imprinted title Six Artistic Views of Kashmir. Many British residents had some
The postcard artist, who signed other cards in this India series published by an obscure Munich firm, was Johann Friedrich Perlberg (1848-1921). Son of a painter, he best known for his paintings of Egypt, Palestine and the Middle East, many of which
One of Fred Bremner's favorite images, also found in his autobiography. Wandering through Kashmir he wrote ". . . the eye may sometimes rest on a figure slowly gliding through mid-air with no apparent support whatever.
Dungagali is situated on slopes of Mukhspuri peak, three kilometers from Nathiagali on the main road from Murree, some 30 km away. Starting in Dungagali one can climb the 2813 meter peak of Mukhshpuri, which is the highest point in the range.
What is most remarkable about this postcard is that it shows local inhabitants on a mountain road between the hillstations of Dungagali and Nathiagali, now in Khyber Pakhtunkhwa (former NWFP) near Murree in northern Punjab, of what is now Pakistan.