Probably printed by Raphael Tuck & Co. in London on behalf of Hartmann, one of the earliest Tuck-printed set of 6 postcards of India, likely all made by the same unknown Aquarelle painter.
The garden in front of the Victoria Memorial is sometimes still called Curzon Gardens.
Lord Curzon was the Viceroy of India from 1899 to 1905. He constructed Victoria Memorial in memory of Queen Victoria, the British monarch who died in 1901 after
Fred Bremner was one of the first postcard publishers of Kashmir, offering numerous cards of the Princely State based on photographs he tool there around 1900.
This postcard is actually an exquisite work of art, signed by the Nathdwara artist A. Ghasiram. Nathdwara in Rajasthan was a center of "Pichwai" painting for centuries.
A moody image in sepia of palm trees in the Chepauk district of Chennai.
[Verso] “Madras. 27.12.13. On the run again this time Madras Bombay Karachi Lahore Calcutta Rangoon.
Srinagar owes its name to the blend of the words Sri (wealth) and Nagar (city). The wooden architecture of Shah - Hamadan blends Islamic, Buddhist, Hindu and local mountain styles.
An unusual "natural history" postcard from Tucks.
[Original caption] Ravages of White Ants: beams eaten out. The insect tribes of India may be said to be innumerable.
A richly mysterious image by the postcard poet of the Murree hills, Baljee. A whisper of a road peeks out from under the forest coverage on the right above his signature in the original albumen negative.
A particularly striking view of a colonial bungalow in northern India. Meerut was home to a major army garrison and cantonment during the Raj and in modern times. This card was in an embossed postcard frame. All attempts are decoding R.A.T.A.R.F.A.