Satyavati and Shantanu
[Original caption] Shantanu is trying to persuade Satyavati, the adopted daughter of a fisher, to marry him, & thus to satisfy his passionate desire. [end]
[Original caption] Shantanu is trying to persuade Satyavati, the adopted daughter of a fisher, to marry him, & thus to satisfy his passionate desire. [end]
Kanpur, known as Cawnpore before 1948, is one of the larger cities in the north Indian state of Uttar Pradesh. Once mainly a cantonment town, and scene of much fighting in 1857, today it is an important industrial center.
A fine example of hand-tinting and documentation on a postcard. Note how the barber's entire work kit is proudly displayed at the bottom of the image, all of which fits into a leather satchel.
[Original caption] Damayanti is creeping stealthily to catch the golden Hansa. [end]
In the Mahabharata Hansa, the swan, extolls the virtues of King Nala to her and says "If the peerless wed the peerless—blessed must the union be," in one of the
The photographic original of one-half of the lithograph A Fair Exchange by W. Cooper.
Although the women do look somewhat similar in this set of a dozen Mughal Empresses, they can be identified individually thanks to the Urdu captions beneath each: [From Top Left to Top Right, First Row] Jamila Khatoon W/o [Wife of] Muhammad Mirza,
One of those postcards that can be read, perhaps, as satirical or documentary.
The successful colorization of what was originally a black and white photograph is exemplary.
An early undivided back postcard by The Phototype Company in Bombay, probably from its first pan-India series characterized by very high printing quality and red titles.
The Taj Mahal Palace Hotel in Bombay, which opened in 1903, was very popular with visitors and on postcards.