Cotton Cart
Cotton was the product that helped put 19th century Mumbai on the road to becoming one of the world's major cities. The product was celebrated on postcards like this virtual painting.
Cotton was the product that helped put 19th century Mumbai on the road to becoming one of the world's major cities. The product was celebrated on postcards like this virtual painting.
Itinerant workers, cobblers can repair all sorts of things. Note the sophisticated lithographic printing of this image, which some early Clifton & Co.
An Dhurandhar portrait of a familiar sight on Bombay streets, the multi-tasking juggler. Note once again the soft city backdrop.
A self-published, artist-signed postcard of an Impressionist sensibility by Miss Barnes of Madras [Chennai]. Painting was a hobby of many British women and men in India, watercolors often found in albums, but few went to the trouble of having their
[Original caption] Clive Street, Calcutta.
Probably printed by Raphael Tuck & Co. in London on behalf of Hartmann, one of the earliest Tuck-printed set of 6 postcards of India, likely all made by the same unknown Aquarelle painter.
[Original caption] Butterflies and Moths pass through three very distinct stages before they attain the perfect form viz.: 1. The
While this postcard is from the early 1900s, as late as 1938 Murray's Handbook for India, Burma and Ceylon still recommended Costorphan's Hotel, with Cecil (Faletti's), Grand and Elysium to its travelers to the hillstation.
The garden in front of the Victoria Memorial is sometimes still called Curzon Gardens.
Lord Curzon was the Viceroy of India from 1899 to 1905. He constructed Victoria Memorial in memory of Queen Victoria, the British monarch who died in 1901 after
D.A. Ahuja was a Punjabi photographer based in Rangoon [now Yangon] whose studio was said to have been open through the 1960s. He published a number of Rangoon jail postcards, not a typical subject for the medium.