One of Tuck's very first Kolkata postcards, before they put explanatory captions on the back.
Chitpur (Chitpore) owes its name to goddess Chiteswari whose temple was destroyed during the earthquake of 1737. Chitpur road, one of Kolkata's oldest roads
[Original caption] City Gate. Jeypore , the capital of the protected native state of the same name in Rajputana, is a walled city, entered by a picturesque gateway.
Madan Mohan Malaviya (1861-1946) was an Indian politician, notable for his role in the freedom struggle and his efforts to eliminate the caste system, as well as co-founding Banaras Hindu University in 1916. This was part of a series by Karachi-based
Another painted postcard by the Anglo-Indian artist Frank Clinger Scallan (1870-1950) whose Kolkata series of nearly a dozen postcards reflects the pleasures of life in what was British India's largest metropolis.
A fine example of hand-tinting and documentation on a postcard. Note how the barber's entire work kit is proudly displayed at the bottom of the image, all of which fits into a leather satchel.
The claim that this is a much extolled Kashmiri beauty is probably true, as this particular woman seems to appear on other postcards from the period. She is wearing the traditional Kashmiri dress, the pheran, and could be wearing a watch on her left
Postcards actually developed in part from advertising cards.
A regular Tuck's card turned into a Christmas with the embossed greeting on top.
[Original caption] A Travelling Student and Singer. The picture shows a Brahman from the Northern parts of India, a vaishnava by religion.
[Original caption] A Street Scene, Pydowni Junction. A typical street scene in Bombay. [end]
[Original caption] Where the Faithful of Islam meet. There are more than 60 millions of Mohammedans in India subdivided into many classes, The verandah from which the muezzin calls to the faithful at the house of prayer is conspicuous in the picture.
