From an unusual later lithographic series, with some photographs by Raja Deen Dayal, and many of areas like this one around Hyderabad and including events like Lord Curzon's visit in 1903 to the State, it is nonetheless not at all clear that Dayal
This so-called "chromo-collotype" card was created by running an image derived from a black and white photograph through multiple color runs, after each color had dried, creating rich and translucent images.
Andree, known for some striking postcard images, may have been Adolphus Williams, Jr. a photographer on York Street in Colombo.
Netaji Subhas Chandra Bose (1897–1945), shown here in his Indian National Army (I.N.A.) uniform, was an Indian nationalist leader who broke with the Indian National Congress’s dominant nonviolent strategy and pursued independence through armed
Smiles on postcards from the early 1900s are rather rare, possibly because most portraits required the sitter to stay still for many seconds while the exposure was made, especially in the 19th century when most portraits were struck and re-purposed
Millions of refugees moved between the new states of India and Pakistan in 1947, and Johnny Stores, run by the photographer Janki das since about the 1920s, was one of the rare photographers of both sides. His Wharf, Karachi actually shows Hindus
An early postcard of Gandhi, signed by K.L. [?] Joshi and dated 1921, not long after he had been termed the "Mahatma" by Rabindranath Tagore (1915) and had launched the First Non-Cooperation Movement in 1920.
Nestor Gianaclis, like D. Macropolo & Co., another Greek-owned firm, was not primarily a photographer so much as a Greek tobacco merchant whose Calcutta office also issued collotype picture postcards and photographic prints in the early 1900s.
A rare candid shot of a zoo in colonial times. Apparently, Peshawar had a small zoo in the those times located in Shahi Bagh (the “Royal Garden”), a government-owned garden being developed into public pleasure grounds.
"The Mall, far from serving merely as a site for commerce or recreation, functioned as a symbolic and material articulation of imperial hierarchy, controlling access to commodities and visibility, and reinforcing notions of prestige, superiority, and
