On the back of this self-explanatory card is a an ink blind-stamp "Greetings from My 1910 Cruise Around the World" and "Rangoon Burma Maters [sp?]." The card is postmarked Darjeeling, April 10, 1910 and addressed to "Oscar Schulze, Allegheny,
Sepia cards were printed in a brown colour instead of black inks on halftone, collotype and real photo postcards. They went in and out of fashion from 1900 through the 1940s.
[Original caption] A Potter, Northern India. Fostered by "caste," the native craftsman remains, contentedly, throughout his life in that sphere of industry into which he was born.
[Original caption] Delhi Gate Fort. The gateway is of red sandstone. The walls are 70 feet high and one mile and a half long. The Europeans and their followers took refuge in the Fort during the Mutiny. [end]
Among the very first Tuck's postcards of
The Brahmin, as the art scholar Allan Life has noted, is reluctantly shuffling from tradition to modernity, from the temple behind him to the new city in front of him.
A very early lithographed card by Paul Gerhardt, who ran the lithographic printers at the Ravi Varma Press.
Sent to Miss Ettoi Virmillion, 52 West & South, Salt Lake City, Utah, USA, via San Francisco: [Recto] "Bombay 22 March 1905. Very bare. Will"
[Original caption] General Post Office - Here is to be found a very fine building and an immense amount of business is transacted here. [end]
Opened in 1913, with a central dome modelled after the Gol Gumbaz in Bijapur, this remains one of the iconic
An early "Greetings from" concept card, printed in Italy, possibly to market train service between Mumbai and Kolkata, rife with tropes that Europeans would have associated with India: a tiger (stalking the train?
[Original caption] View from the Cart Road. Simla is in the mountainous region of the Punjab, on the southern slopes of the Himalayas. The town is beautifully laid out and the scenery is magnificent. [end]
Note the boy carrying wood in the foreground