Barber at Work
A fine example of hand-tinting and documentation on a postcard. Note how the barber's entire work kit is proudly displayed at the bottom of the image, all of which fits into a leather satchel.
A fine example of hand-tinting and documentation on a postcard. Note how the barber's entire work kit is proudly displayed at the bottom of the image, all of which fits into a leather satchel.
[Original caption] Damayanti is creeping stealthily to catch the golden Hansa. [end]
In the Mahabharata Hansa, the swan, extolls the virtues of King Nala to her and says "If the peerless wed the peerless—blessed must the union be," in one of the
The photographic original of one-half of the lithograph A Fair Exchange by W. Cooper.
Although the women do look somewhat similar in this set of a dozen Mughal Empresses, they can be identified individually thanks to the Urdu captions beneath each: [From Top Left to Top Right, First Row] Jamila Khatoon W/o [Wife of] Muhammad Mirza,
One of those postcards that can be read, perhaps, as satirical or documentary.
The successful colorization of what was originally a black and white photograph is exemplary.
An early undivided back postcard by The Phototype Company in Bombay, probably from its first pan-India series characterized by very high printing quality and red titles.
The Taj Mahal Palace Hotel in Bombay, which opened in 1903, was very popular with visitors and on postcards.
A startling image of an Indian actress, carrying a bow in one hand, perhaps from the play she is acting in. But is it a she?
[Verso, handwritten] "Oct. 24, 1915. My dear Annie, Do you think you could play this instrument? The music is very weird but I suppose they think it is nice. I don't!